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Director: Michel Hazanavicius
Cast: Omar Sy, Bérénice Bejo, François Damiens, Sarah Gaye
Djibi lives alone with Sofia, his 8-year-old daughter. Every night, he invents a story to put him to sleep. When Sofia falls asleep, these extraordinary stories come to life somewhere in an imaginary world inhabited by knights, pirates and other dragons. In this world that belongs only to them, Sofia is always the princess to save, and the brave Prince is none other than Djibi himself. But 3 years later, the entry of Sofia to the college will mark the end of her childhood. To the despair of her father, she no longer needs her stories at night. On the one hand, Djibi will have to accept that his daughter will grow up and move away from him. On the other hand, in the World of Stories, the Prince will have to face the most epic of all his adventures. Find your destiny in a world where it no longer has a place.
Critical Reception & Ratings
The Lost Prince (2020) directed by Michel Hazanavicius has received generally positive reviews, with critics praising its imaginative storytelling and emotional father-daughter narrative. The film has not received any major awards recognition to date, but it holds an IMDb rating of 7.2/10 and a Rotten Tomatoes audience score of 82%, indicating strong audience reception.
Why you might like this:
Directed by the acclaimed Michel Hazanavicius, The Lost Prince (2020) blends whimsical fantasy, heartwarming father-daughter drama, and imaginative visual storytelling to create a truly unique cinematic experience. Starring Omar Sy in a captivating performance, the film invites viewers into a magical world where a father's bedtime stories come to life, exploring themes of growing up, letting go, and the power of the imagination.
The Lost Prince is a 2003 British television drama about the life of Prince John – youngest child of Britain's King George V and Queen Mary – who died at the age of 13 in 1919. John had epileptic seizures and an autism-like developmental disorder, and the Royal Family tried to shelter him from public view; the script did not present the Royal Family as unsympathetic, instead showing how much this cost them emotionally. Poliakoff explores the story of John, his relationship with his family and brother Prince George, the political events going on at the time and the love and devotion of his nanny, Charlotte Bill (Lalla).
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