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Director: Maisie Richardson-Sellers
Cast: Chauntice Green, Numa Perrier, Peter Vack, Paris Stephens
Esi is a 25 year old, queer, biracial woman. Growing up in a conservative town in Missouri with immigrant parents, her sexuality and desire to be a photographer have become laced with shame and guilt. Six months after moving to LA, we find Esi isolated and disconnected from world around her. After another day of feeling invisible as a PA, Esi stumbles upon a vivid house party of QTPOC (queer and trans people of color). For the first time in her life, Esi is welcomed into a community where she can let down her walls, let go of societal and family pressures and begin to embrace her true self.
Why you might like this:
Directed by rising filmmaker Maisie Richardson-Sellers, Sunday's Child (2021) is a poignant and visually striking drama that explores the journey of a young queer biracial woman finding her place in the world. With standout performances from the cast, including Chauntice Green, the film offers a nuanced and deeply personal portrait of self-discovery and community that will particularly resonate with fans of authentic, character-driven stories.
Sunday's Child is a John Martyn album released in 1975. John Martyn's follow-up to 1973's Inside Out is a more song-oriented, less experimental album. His eighth record, including two with his wife Beverley Martyn, shows the many facets of Martyn's playing, from his effects-driven electric guitar to his acoustic work. This album contains a collection of original songs along with a pair of covers: the traditional British ballad "Spencer the Rover", and the country standard "Satisfied Mind". The song "The Message" features a pair of verses written by Martyn sung in his typical style, alternating with a pair of verses from the Scottish folk ballad "Mairi's Wedding" sung with a Scottish lilt.
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