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Simulacrum (1993)
Cast: Sophie Ward, Gabrielle Anwar, Martin Kemp, Joss Ackland
Runtime101 min
Rating18
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SIMULACRUM is just a step into the future where an insurgent human race rises up against Artificial Intelligence machines. A young, human ‘lab rat’ escapes captivity from diabolical experiments with the help of another prisoner and gains extraordinary powers along the way. They get pulled apart and battle to be reunited, facing extreme situations and frightening characters along the way. The bourgeoning relationship of the two lovers is played out against an existential war between man and machine, leading to an exciting climax in the artificial reality of the SIMULACRUM.
Critical Reception & Ratings
Simulacrum (1993) is a science fiction horror film that has received mixed reviews from critics. While it explores an intriguing premise of a human uprising against AI machines, the film's critical reception has been somewhat divided, with some praising its ambitious conceptual elements and others finding it uneven in its execution. Information about any major awards recognition or audience ratings is not readily available.
Why you might like this:
Fans of cerebral science fiction and thought-provoking horror will likely enjoy the 1993 film Simulacrum, which blends elements of both genres to explore the existential conflict between humanity and artificial intelligence. The film's focus on the relationship between the two lead characters, played by Sophie Ward and Gabrielle Anwar, provides an emotional anchor amidst the film's high-stakes technological premise.
About
A simulacrum is a representation or imitation of a person or thing. The word was first recorded in the English language in the late 16th century, used to describe a representation, such as a statue or a painting, especially of a god. By the late 19th century, it had gathered a secondary association of inferiority: an image without the substance or qualities of the original. Literary critic Fredric Jameson offers photorealism as an example of artistic simulacrum, in which a painting is created by copying a photograph that is itself a copy of the real thing. Other art forms that play with simulacra include trompe-l'œil, pop art, Italian neorealism, and French New Wave.
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