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Director: Władysław Wasilewski
Cast: Andrzej Wajda, Kazimierz Kutz, Wojciech Has, Wanda Jakubowska
The documentary talks about the origins, development and achievements of the Polish film school. People from the environment of the "Filmówka" in Łódź, among others. Wanda Jakubowska, Jerzy Kawalerowicz, Antoni Bohdziewicz, Janusz Morgenstern or Kazimierz Kutz. The film is richly illustrated with archival materials and the first films of the school. The beginnings of the Łódź Film Festival begin in Krakow with the Young Film Workshop; On May 6, 1945, at Józefitów 16 production facility of the Polish Film Production Company, an inaugural meeting is held. After numerous transformations, in July 1946 the Young Film Workshop and the Film Training Course began activities, which can be considered as the beginning of state film education in post-war Poland. The later fate of the school is already connected with Łódź; July 16, 1948, the act of establishing the Film School was signed.
Why you might like this:
Fans of documentaries that dive deep into the history and evolution of influential filmmaking institutions will find 'Polish School' compelling. Directed by Władysław Wasilewski in 1997, this film provides a richly detailed look at the origins, development, and key figures of the renowned Polish Film School, illustrated with rare archival footage and insights from directors like Andrzej Wajda and Kazimierz Kutz.
Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting and the use of metaphor with the succinctness of the poster. By utilizing characteristics such as painterly gesture, linear quality, and vibrant colors, as well as individual personality, humor, and fantasy, the Polish poster made the distinction between designer and artist less apparent. Posters of the Polish Poster School significantly influenced the international development of graphic design in poster art. Influenced by the vibrant colors of folk art, they combine printed slogans, often hand-lettered, with popular symbols, to create a concise metaphor. As a hybrid of words and images, these posters created a certain aesthetic tension. In addition to aesthetic aspects, these posters revealed the artist's emotional involvement with the subject. They did not solely exist as an objective presentation, rather they were also the artist's interpretation and commentary on the subject and on society.
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