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Director: Robert Frank
Cast: Taylor Mead, Peter Orlovsky, Odessa Taft, Jim Stark
One of the longest handheld tracking shots in film history, It’s Real documents an hour in the street life of downtown Manhattan. Not only is it a unique record of a particular time and place—July 26, 1990, from 3:45 to 4:45 p.m. in the Lower East Side near Robert Frank’s studio (we note in a Daily News headline that after some 20 years the Zodiac killer still hasn’t been identified)—it’s also an experiment in fragmentary language, gesture, and life caught unawares. Snippets of dialogue captured in passing at phone booths and crosswalks, in alleyways, subways, and diners—chance encounters, only presumably, with people going about their day—have something of the aleatory cut-up technique of the Dadaists in the 1920s and William Burroughs and Byron Gysin in the 1950s, an effort to divine new and deeper meanings in ordinary life. — Museum of Modern Art
Why you might like this:
Fans of documentary filmmaking and experimental cinema will appreciate the singular vision of director Robert Frank in this 1990 film, which features an unbroken, captivating 60-minute handheld tracking shot that immerses the viewer in the lively street life of downtown Manhattan.
One Hour is the eleventh full-length album by German electronic music outfit Cluster. It was recorded live in the studio in Vienna, Austria in July 1994 and released on January 24, 1995, on the U.S.-based Gyroscope label. Precisely one hour of music was culled from four hours of improvisation in the studio. The music is continuous, and One Hour is presented as a single piece, the longest Cluster has recorded to date. The CD does have 11 tracks dividing the music, but none of the parts is separately titled. One Hour is structured much like the title track of Großes Wasser, with short, soft melodic sections at the beginning and the end sandwiching a much longer. Rather experimental central section.
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