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Director: Bill Davis
Cast: Lily Tomlin, Richard Pryor, Alan Alda
“WINTER, 1973. Late afternoon: the entr'acte between dusk and darkness, when the people who conduct their business in the street -- numbers runners in gray chesterfields, out-of-work barmaids playing the dozens, adolescents cultivating their cigarette jones and lust, small-time hustlers selling ‘authentic’ gold wristwatches that are platinum bright---look for a place to roost and to drink in the day's sin. Young black guy, looks like the comedian Richard Pryor, walks into one of his hangouts, Opal's Silver Spoon Café. A greasy dive with a R & B jukebox, it could be in Detroit or in New York, could be anywhere. Opal's has a proprietor -- Opal, a young and wise black woman, who looks like the comedian Lily Tomlin -- and a little bell over the door that goes tink-a-link, announcing all the handouts and gimmes who come to sit at Opal's counter and talk about how needy their respective asses are.” — Hilton Als
Critical Reception & Ratings
Juke and Opal is a 1973 film directed by Bill Davis that has not received widespread critical recognition or awards. The film's portrayal of the lives of young Black people in an inner-city setting has garnered some positive reviews, but its public reception and ratings are not widely reported.
Why you might like this:
Fans of 1970s character-driven dramas and the comedic talents of Lily Tomlin and Richard Pryor will find much to enjoy in the gritty, slice-of-life story of Juke and Opal from 1973. Director Bill Davis crafts an evocative portrait of inner-city life and the complex relationship between the two lead characters, showcasing captivating performances that bring depth and nuance to their struggles.