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Martin B. Cohen: Shaking Up the Exploitation Genre Martin B. Cohen was a true maverick of American cinema, a director who carved out his own distinctive niche in the often unruly world of exploitation films. Unlike many of his contemporaries who played it safe, Cohen embraced the gritty, unconventional, and downright subversive – crafting films that challenged audiences and defied easy categorization. His 1970 cult classic "Rebel Rousers" perfectly encapsulates Cohen's bold approach. This rollicking biker drama doesn't just revel in the high-octane thrills and countercultural attitude one might expect – it also weaves in unexpectedly complex themes of alienation, masculinity, and the search for belonging. Cohen's deft handling of tone allows the film to veer seamlessly between pulpy action and moments of poignant melancholy, creating a viewing experience that is as compulsively watchable as it is intellectually stimulating. While Cohen may not have achieved the level of mainstream recognition afforded to some of his exploitation peers, his legacy as a filmmaker who consistently pushed the boundaries of the genre is undeniable. "Rebel Rousers" and his other works stand as testaments to an artist unafraid to take risks, to subvert expectations, and to leave an indelible mark on the landscape of American independent cinema.