Movies by Maria Lassnig

Maria Lassnig: Painting the Self on Screen As a pioneering artist and filmmaker, Maria Lassnig's bold, unconventional approach to cinema set her apart from her contemporaries. Lassnig was known for her striking self-portraits that explored the physicality of the human form, a style she carried over into her filmmaking with remarkable results. In works like "Dog Film," "Alice," and her "Godfather" trilogy, Lassnig's camera becomes an extension of her own body, offering an intensely personal and visceral perspective. Her films eschew traditional narratives, instead immersing the viewer in a dreamlike world of distorted realities and fragmented identities. Lassnig's unique "body awareness" theory manifests in surreal, sometimes unsettling visuals that force the audience to confront the raw, unvarnished experience of existence. Beyond her provocative stylistic choices, Lassnig's films also demonstrate a keen social and political awareness. In "Black Dancer" and "Hilde," she uses the medium to shine a light on marginalized communities, exploring themes of gender, power, and the human condition with a bold, unapologetic voice. As the first female artist to win Austria's prestigious Grand State Prize, Lassnig's legacy as a trailblazer in the art world is cemented, and her cinematic works continue to captivate and challenge audiences today.