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Maxine Woods was a quietly captivating character actor who left an indelible mark on the independent film scene of the 1970s. Though she never achieved the same level of fame as some of her more celebrated contemporaries, Woods carved out a niche for herself through her naturalistic performances and uncanny ability to disappear into her roles. One of Woods' most acclaimed turns came in the 1971 black comedy The Plot Against Harry, where she played the seemingly meek and unassuming wife of the film's titular antihero. In the hands of a lesser actor, the part could have been forgettable, but Woods imbued the character with a simmering intelligence and depth that belied her unassuming exterior. Her subtle, understated work was the perfect foil to the bombastic lead performance, and her ability to convey volumes with the slightest of gestures marked her as a true artist. Though her filmography was relatively sparse, Woods' selectivity paid off, as she consistently chose projects that allowed her to showcase her range. Whether playing a world-weary waitress, a concerned mother, or a mysterious loner, Woods brought a lived-in authenticity to every role, effortlessly blending into the fabric of the films she inhabited. Her quiet charisma and commitment to naturalism made her an invaluable presence in the independent film world, and her influence can still be felt in the work of countless actors who came after her.